blown glass

Art and Design, glassblowing

Flickr!


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You may have heard of it, a site that hosts loads and loads of pictures.  It’s not Instagram, and definitely not facebook. It’s Flickr. It’s a great place to build image albums when you need high-resolution images that show well and print well.  For my money, they are a great way short of cloud computing (yuck-for many reasons-we will talk later about that sometime!!). Here are some images of my students work in sculpture as well as some of my own. For the curious-minded!

 

Parker’s Flickr Realm

 

Happy computing!

~Parker

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The Inescapable Inscape!


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The Inscape is the result of a discovery I made early in my glass career.  It was part experimentation and part discovery and part  happy mistake.  The glass was cut open to reveal something marvelous inside.  Who knows how many of these I had made with these same beautiful forms that had slipped inside the glass like that.  From that one point of discovery came a welter of ideas.  Inscape Geode, Inscape Egg, Andromeda Geode, Andromeda Egg, the Andromeda Monolith.  It cracked the sky of my world open creatively.  These pieces have been used for corporate jobs, trophies, sold in a catalog, online, and through countless galleries from New England to Seattle, and London England.

So today I honor that discovery with a picture I found of a piece I did about eight years ago that suggested yet another direction with my Inscapes.  The piece, shown below, is a special type of Inscape that I did so it had multiple facets.  It was different from all others like it.  One of a kind.  But here is where new ideas form, build, grow, and inspire.

What will inspire you today?

parker stafford

Art and Design, glassblowing

Step By Step Design Of New Glass Work


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Dichroic being sized and cut to be put into 980 degree pick up box kiln
Dichroic being sized and cut to be put into 980 degree pick up box kiln

I thought it might be a good idea to document a few of the steps involved in the design and making of a new glass piece in the studio to give you glass enthusiasts a rare look into the process.

All design begins with an idea.  That idea is then implemented using already existing knowledge about how the piece designed might be accomplished.  Often this works well, but sometimes new tools, materials, and skills have to be made or mastered in order to make new work possible.  In the case of the work I am showing you, a special kiln is needed to preheat the looked glass strips called dichroic (shown in the picture above) to be preheated.  2100 degree glass will not stick to room temperature glass, so it has to be brought halfway up to molten temperature.

In the case of the piece being made today, I am designing a new piece for a retailers association in our area for their grand prize winner.  This piece will wind up being a little over a foot tall and will be composed of solid glass with air traps, which are controlled air bubbles trapped in the glass as part of what will be an ethereal design.

Dichroic in the pick up box, ready to be preheated prior to pick up onto hot glass
Dichroic in the pick up box, ready to be preheated prior to pick up onto hot glass

People often wonder what dichroic glass is.  You can see some colored strips sitting in the pickup box kiln above.  Dichroic was originally developed for the Lunar Rover cameras to cut down on sunlight which was cooking the film when under full sunlight.  It is a very thin, translucent, even, metallized coating on glass.  High tech, dichroic is expensive at about 150 dollars per eighteen inch sheet.

I then go to the furnace where the clear molten glass is kept and get a “gather” of molten glass on the end of a metal rod.  This is turned constantly to keep it from dripping onto the floor.  The glass is about 2100 degrees when it exits the furnace, so it moves like honey.

The glass is shaped into a small cylinder and allowed to cool after which I get another gather of glass.  Depending on the size of the piece, I will add dichroic to the outside of a gather.  In this case, I will be getting a third gather of glass.  The volume of the glass in total will be the volume of between two to three softballs in size.  You can see the successful first pickup of color below on the outside of the glass.

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You can see some trails of bubbles in the glass which are part of the design.

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The glass is then twisted to get a spiral.
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The glass is then dimpled which will trap a veil of small bubbles once the next gather is put over the glass.

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This is piece shows the clear gather now over the glass.  This piece is being shaped into an egg shape, which is done with a wet carbon felt pad.  This is all by hand.image

This is a smaller piece.  You can see how ethereal the dichroic can be!

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Once the piece is heated and shaped a number of times, it is cooled and the base stressed with cold water which allows it to break off evenly from the rod.  It is placed in a kiln at annealing temperature, about 950 degrees, and will slowly cool over a period of days.  The picture above shows some of the effects that a glass piece like this has.

 

imageA piece of glass like this will last the ages.  Thick, glass is very durable.  The picture above is a closese-up of the dichroic with the bubbles.  Cool, huh?

That is how pieces like this are done.  One great advantage of being able to work with an artisan is that you get up-close involvement in the design and making of glass which you have commissioned and helped to design.  This process can be as involved or as “arm chair” as you, the customer, desires.  For creating one of a kind looks for everything for display pieces, drawer pulls, sun catchers, drinking glasses, and more, you can’t beat what your local artisan can make for you!

For more on commissioning your own work, read my post a few posts down the line on the steps most often involved in commissioning work by a local studio!

Until then, be happy, do good, and BE good!

~Parker

 

 

 

Art and Design, glassblowing

Hotglass Weekend Wrap-Up


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Closeup of a suncatcher by Carolee J. Bondurant

The event has wound down and the studio was host to dozens of families and friends who came from near and far (one family from North Carolina up for the holidays) who took part in our multi-weekend glass blowing experience that included our BYOB (Blow Your Ornament Ball), and our Hotglass Weekend that was pulled together after many people began inquiring about times after the holidays when they could venture out and get their hands into the hot stuff and play with fire.

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A smiling Bob Grogan gets ready for his turn making glass
The previous day's haul warm from the kiln
The previous day’s haul warm from the kiln

This season was so incredibly encouraging on so many fronts.  It seemed that at every turn I kept meeting the most interesting and inspiring people all bent on helping support the studio in fascinating ways.  One customer showed her work to her co-workers after I met her during a break from her work.  In this case, she was a newscaster at a local television station, which garnered a short story about the studio on Christmas Eve telling about how we offer making your own ornament as a special during the holidays.  I was able to meet many other people who have in their own ways helped to spread the word and make a difference for  the studio.  And just so you know, this isn’t about me, but about all of the interesting and excited people who came to lend their smiles, their stories, and their time in helping make this event one of the single best events ever (and we have had many, so that is saying something!)

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Threading on cobalt glass to make a feather pattern

If you look back through the last few blog posts, you can begin to see some of the pieces that folks just like you, who have never blown glass before were able to make with a little help from a seasoned glass teacher and blower.  The results have all been fantastic!  Pictures from the weekend are sprinkled liberally throughout this latest edition of SAG on WordPress.  I have met inquisitive kids who talked about the chemistry of glass, who wondered about its long history, and who had interesting ideas about life, glass, and the pursuit of life’s simplest pleasures.  It has been a real interesting and rewarding time being able to share time with so many people who were all connected by their love or sheer curiosity about glass as an expressive medium.  When I think about the quality of experience, the caliber of people pulled in by the sheer gravity of glass and its beauty, I find myself hopeful about adding instruction at the studio as a key ingredient in just what it is that we do there.

The complete feathered piece up-close
The complete feathered piece up-close

We had a half price off sale where works went for a song and a second sale where pieces went for unheard of prices.  If you know what my seconds look like, you know that our seconds are first-rate pieces that maybe were a little too small or slightly off-center.  I talked to people about how they could design their own work for their homes, an opportunity that is unheard of in this age of the cheap mass-produced object.  Helping to bring the real back to life can also help to enliven the soul and stir the heart.  And THAT is not just a cheap throw-away but the honest truth.

John makes a paperweight at the reheating furnace
John makes a paperweight at the reheating furnace

For now, the pictures for this post are being worked on to ready them for the web.  In the days that follow you will begin to see images from this weekend that help to paint a picture of just what happened and what went on!  But to learn more check out this blogger who describes her experience in her recent post about her visit to the studio this weekend!

http://joansnaturejournal.blogspot.com/2014/01/stafford-art-glass-class.html?spref=fb

Closeup of sun catcher by Caroline Gaskins
Closeup of sun catcher by Caroline Gaskins